yearnsforfeathers: (off to rehearsal)
By mutual agreement, Miki-chan and I do not leave our dormitory at the same time. We enjoy one another's company - we would not room together if we did not - but mornings are my best times, her worst. If I had to wait for Miki-chan to get ready before I left, I would be in a sour mood all day. To say that she is slow to rise would be an understatement. I am usually picking up my handbag when she stumbles out of our shared bedroom, her hair in disarray.

Mornings are my time. I like to wake up early. The morning is fresh and new. Anything can happen. I like having my tea while looking out the window at the stirrings of life. The birds hopping on the telephone lines. The few businessmen who have to catch the early train - they walk with such purpose, oblivious to their surroundings. The opposite of me. I drink in the sights and sounds as I do my tea.

Even though Miki-chan is not what you would call a light sleeper, I take care not to disturb her in the morning. I lay my clothes out at night, before bed, and make sure my rehearsal bag is packed. I make my bento, or put aside money to pick up something at the theatre for lunch. I charge my phone and my ipod. The only thing I don't do is shower one last time. I prefer morning showers. Fresh, clean me for a fresh day. Not covered in the sweat of the night, or the general muzziness from lying still for hours on end.

On the way to the theatre, I have to put on my face. My public face. The one that smiles brightly but not too boldly. The one that is confident, yet demure. Pure, proper, beautiful. The motto of Takarazuka isn't only a motto - it's a mantra. A way of life. The face you show everyone, no matter what you are feeling truly in your heart. It is a safety net and a butterfly net at the same time.

The walk does not take long - the dormitory is part of the Takarazuka complex, after all - but it takes longer than one would think, because of the paths of the walkways. A performer must approach from a certain direction, and in a certain manner, so there are ways to ensure that happens, no matter where she lives.

The walk is always full of interesting people. The different fan clubs arrange themselves carefully near the performers' entrance, seated in front, standing at the back. Proper, so that everyone can see their favorite performer as she walks past. Everyone can bask in her smile, thrill at her hand waving to them. See and be seen.

My fan club is midway up the path, standing at the back, powder blue silk scarves fluttering like wings or banners. The color of the morning sky at the tops of the trees. I pause every day, say hello, and collect my letters. If I am alone when I walk up, I will stop and chat for a moment or two. Never more than pleasantries, but it makes me happy to be able to address those who support me by name, even if all I can say to them personally is, "good morning; it's lovely to see you." Once in a very rare while, I pull my smaller camera from my handbag and snap a picture of them, or let them do the same with me. It is all a matter of timing.

A final bow and smile, and then I am through, past the gallery of faces, and into the theatre complex itself. I find my name tile on the board and flip it around to mark that I have arrived. One last ritual before my public face changes to my performer's face.


Word Count: 650

Self-Doubt

Aug. 13th, 2012 10:11 pm
yearnsforfeathers: (uncertain)
Rehearsal today is filled with tension. Everyone has put on their most professional masks, and is giving two hundred percent. Everyone smiles politely or tries to look cool and unconcerned. But it's more of a performance than the show itself. Today, the cameras have come. Anything we do, or fail to do - any stray glance or yawn or giggle - could end up immortalized on DVD if it happens during a part of the show chosen to highlight the principals.

Miki-chan and Bakkun and I sit together as always. Instead of chatting or running lines or writing each other notes in the margins of our scripts, we fix our eyes on our top star and her nibante, pretending that we are studying their performance. The little red light across the rehearsal hall stares at us, and we don't want to be caught looking less than dedicated.

Miki-chan is so wrapped up in this act that she nearly misses the cue to get into position for our scene. Bakkun and I have to nudge her twice to make her move. Not an easy task when you don't want the camera to see your friend's folly. We are three in a group of twelve underclassmen who must dance around our top star - expressing in movement the emotion she expresses in her voice. The sorrow of a supposed betrayal which will, in a few scenes, be revealed as a trick to lure out the villain - a guest from Senka.

As the music changes and we hurry into position, I feel the nerves tighten in my stomach. Of all the dancers in this piece, I am the weakest. Half a beat too slow, back not arched as much as it should be, fingers not as gracefully posed. Bakkun says it's all in my head. But with the camera positioned downstage left, closest to my starting mark, I cannot help but worry. My first movements are stiff, stilted, because of this. I can feel it. I can see the choreographer at the long table not three feet away tighten his jaw slightly. He doesn't look directly at me, but he can see it all the same. And the camera will catch the difference between my stilted movement and the fluidity of the eleven other dancers.

Fortunately, we must vocalize in this scene as well as dance. No words, just notes to accent and echo our top star. To highlight her voice in contrast to ours. Once I can open my mouth, I feel a little better. Not relaxed. I am never relaxed while performing. But more at ease. My movement reflects this. I feel more graceful when I can sing.

And then the scene is done and we scatter as our top star strides off stage. Miki-chan and I move to the back of the rehearsal hall to help shift a piece of set. She smiles at me as we lift it. "You did fine," she mouths to me. Our backs are to the camera, so I can give her a quick smile. I don't necessarily believe her, but I am glad of her faith in me.

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Koizumi Suzume 小泉 雀

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